"Benvenuto Cellini / Act 1: "O Teresa, vous que j'aime"" by Hector Berlioz, Nicolai Gedda, Robert Massard, Christiane Eda-Pierre, BBC Symphony Orchestra, Sir Colin Davis was released on January 1, 1972. Benvenuto Cellini / Act 1: "O Teresa, vous que j'aime" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 7 out of 45 in Berlioz: Benvenuto Cellini by Hector Berlioz, Nicolai Gedda, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Benvenuto Cellini / Act 1: "O Teresa, vous que j'aime" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Benvenuto Cellini / Act 1: "O Teresa, vous que j'aime" by Hector Berlioz, Nicolai Gedda, Robert Massard, Christiane Eda-Pierre, BBC Symphony Orchestra, Sir Colin Davis is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 65 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
Section: 0.7879858016967773
End: 0.7923190593719482