Giovanni Benedetto Platti, Gaetano Nasillo, Sara Bennici, Anna Fontana, Evangelina Mascardi made "Sonata I in G Minor: I. Adagio" available on August 16, 2019. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Venetian Cello Sonatas. Under the Shade of Vivaldi by Gaetano Nasillo, Anna Fontana, Sara Bennici, Evangelina Mascardi. The song's track number on the album is #9 out of 30 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Sonata I in G Minor: I. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Sonata I in G Minor: I. Adagio by Giovanni Benedetto Platti, Gaetano Nasillo, Sara Bennici, Anna Fontana, Evangelina Mascardi has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata I in G Minor: I. Adagio being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: II. Adagio | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Minor | 0 | 6A | 80 BPM | ||
Cello Sonata in E Minor, RV 40: I. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | G Minor | 2 | 6A | 106 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Concerto grosso No. 5 in G Minor: IV. Vivace | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 63 BPM | ||
Platti: Cello Sonata No. 7 in D Major, I. 84: IV. Presto | Giovanni Benedetto Platti, Abel Selaocoe, Elizabeth Kenny, Fred Thomas, Kadialy Kouyate | D Major | 4 | 10B | 101 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM |
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