Manuel Garcia, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer's 'El Poeta Calculista: "Yo que soy contrabandista"' came out on January 1, 2007. The duration of El Poeta Calculista: "Yo que soy contrabandista" is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. El Poeta Calculista: "Yo que soy contrabandista"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer's "Maria" album is number 5 out of 28. The popularity of El Poeta Calculista: "Yo que soy contrabandista" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El Poeta Calculista: "Yo que soy contrabandista" by Manuel Garcia, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Mozart: Mitridate, rè di Ponto, K. 87, Act 1: "Se di lauri" (Mitridate) | Wolfgang Amadeus Mozart, Michael Spyres, Il Pomo D'oro, Francesco Corti | A Minor | 2 | 8A | 145 BPM | ||
Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Cleopatra - Arias from Giulio Cesare in Egitto, HWV 17: Atto secondo - Scene 2: V'adoro, pupille | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E Major | 2 | 12B | 122 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Falstaff / Act 3: Tutto nel mondo è burla | Giuseppe Verdi, Geraint Evans, Giulietta Simionato, Ilva Ligabue, Robert Merrill, Mirella Freni, Alfredo Kraus, Rosalind Elias, John Lanigan, Piero de Palma, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Sir Georg Solti | C Major | 5 | 8B | 67 BPM | ||
Soledad | Axel Valencia, Manuel Garcia | G Minor | 3 | 6A | 133 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Rita: "Allegro io son" | Gaetano Donizetti, Juan Diego Flórez, Riccardo Frizza, Orchestra Sinfonica di Milano Giuseppe Verdi | E Major | 2 | 12B | 86 BPM |
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