"Cleopatra - Arias from Giulio Cesare in Egitto, HWV 17: Atto secondo - Scene 2: V'adoro, pupille" by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm was released on January 10, 2011. With this song being about 5 minutes long, at 5:06, "Cleopatra - Arias from Giulio Cesare in Egitto, HWV 17: Atto secondo - Scene 2: V'adoro, pupille" by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm's "Handel : "Cleopatra" - Giulio Cesare Opera arias" album is number 4 out of 19. Based on our statistics, Cleopatra - Arias from Giulio Cesare in Egitto, HWV 17: Atto secondo - Scene 2: V'adoro, pupille's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cleopatra - Arias from Giulio Cesare in Egitto, HWV 17: Atto secondo - Scene 2: V'adoro, pupille by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Le nozze di Figaro, K. 492, Act II: Voi che sapete | Wolfgang Amadeus Mozart, Elly Ameling, English Chamber Orchestra, Edo de Waart | B♭ Major | 2 | 6B | 111 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act 1 Scene 11: Recitativo, "Madre! Mia vita!" - No. 16a, Duetto, "Son nata a lagrimar" (Sesto, Cornelia) | George Frideric Handel, Stephanie Blythe/David Daniels/Emmanuelle Haïm/Martin Isepp/John Nelson/Ensemble Orchestral de Paris, John Nelson | C Major | 9 | 8B | 150 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée | C Minor | 1 | 5A | 167 BPM |
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