Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado made "Falstaff / Act 2: "Gaie comari di Windsor!"" available on January 1, 2001. With Falstaff / Act 2: "Gaie comari di Windsor!" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Falstaff by Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #2 out of 30 tracks. In terms of popularity, Falstaff / Act 2: "Gaie comari di Windsor!" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Falstaff / Act 2: "Gaie comari di Windsor!" by Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Falstaff / Act 2: "Gaie comari di Windsor!" being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: E soffitto, e pareti (Pinkerton/Goro) | Giacomo Puccini, Carlo Bergonzi, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 7 | 3B | 105 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Il Trovatore, IGV 31, Act I: "Tace la notte" (Coro, Manrico, Leonora) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Palacio de las Bellas Artes Coro, Kurt Baum, Maria Callas | C Major | 1 | 8B | 93 BPM |
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