"Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Giubiloso" by Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy was released on January 1, 1999. With this song being about 5 minutes long, at 5:03, "Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Giubiloso" by Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 39 in the song's album "Scriabin-Nemtin: Preparation for the Final Mystery". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Giubiloso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Giubiloso by Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
24 Preludes, Op.11, Part II: No. 9 in E Major | Alexander Scriabin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 85 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
6 Chants polonais, S. 480: No. 1, Madchens Wunsch (Zyczenie, the Maiden's Wish) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Major | 1 | 9B | 108 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM |
Section: 0.707740306854248
End: 0.7114808559417725