"24 Preludes, Op.11, Part II: No. 9 in E Major" by Alexander Scriabin, Mikhail Pletnev was released on April 7, 1997. With 24 Preludes, Op.11, Part II: No. 9 in E Major being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Scriabin: 24 Preludes - Sonatas 4 and 10". In this album, this song's track order is #9. 24 Preludes, Op.11, Part II: No. 9 in E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op.11, Part II: No. 9 in E Major by Alexander Scriabin, Mikhail Pletnev having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in E major, Op. 26: 6. Andante | Alexander Scriabin, Brigitte Balleys, Sergej Larin, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | E Major | 1 | 12B | 89 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 3, Come with Us! | Leoš Janáček, Lars Vogt | D Major | 0 | 10B | 131 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Piano Sonata No. 1 in C Major, Op. 24, J. 138: I. Allegro | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 124 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
II. February. Shrovetide Festival | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Major | 2 | 10B | 54 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Etude-Tableau in E Flat Minor, Op. 33, No. 6: Non allegro | Sergei Rachmaninoff, Mikhail Pletnev | E♭ Minor | 2 | 2A | 69 BPM | ||
Etude Op. 10 no. 6 in e flat minor | Valentina Lisitsa | A♭ Minor | 0 | 1A | 71 BPM |
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