Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez's 'L'Oiseau de feu, K010: XV. Danse de la suite de Kastchei enchantée par l'oiseau de feu' came out on 1993. With L'Oiseau de feu, K010: XV. Danse de la suite de Kastchei enchantée par l'oiseau de feu being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in ストラヴィンスキー:バレエ《火の鳥》、バレエ《ペトルーシュカ》, so we believe that "L'Oiseau de feu, K010: XV. Danse de la suite de Kastchei enchantée par l'oiseau de feu" is a single. Based on our statistics, L'Oiseau de feu, K010: XV. Danse de la suite de Kastchei enchantée par l'oiseau de feu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Oiseau de feu, K010: XV. Danse de la suite de Kastchei enchantée par l'oiseau de feu by Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Enigma Variations: Variation VIII. W.N - Allegretto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 106 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 5. Miyajima et le torii dans la mer | Olivier Messiaen, Yvonne Loriod, Percussions de Strasbourg, Orchestre Du Domaine Musical, Pierre Boulez | A Major | 5 | 11B | 90 BPM | ||
Symphony No. 7 In E Minor: 1. Langsam: Nicht schleppen | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 83 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): III. Intermezzo: Moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | A♭ Major | 1 | 4B | 71 BPM |
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