Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner's 'Matthäus-Passion, BWV 244 / Erster Teil: No. 14 "Und da sie den Lobgesang gesprochen hatten"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 14 "Und da sie den Lobgesang gesprochen hatten" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 14 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Based on our statistics, Matthäus-Passion, BWV 244 / Erster Teil: No. 14 "Und da sie den Lobgesang gesprochen hatten"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 14 "Und da sie den Lobgesang gesprochen hatten" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 | Daniel Barenboim | D Minor | 0 | 7A | 96 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.13 in F sharp major BWV882 | Daniel Barenboim | B Minor | 0 | 10A | 65 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.10 in E minor BWV879 | Daniel Barenboim | E Minor | 1 | 9A | 148 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876 | Daniel Barenboim | G Major | 2 | 9B | 78 BPM | ||
The Creation, Hob.XXI,2: Pt. 2, And God Created Great Whales | Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers | G Major | 0 | 9B | 104 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Die Himmel erzahlen die Ehre Gottes, BWV 76: Aria: Fahr hin, abgottische Zunft! (Bass) | Johann Sebastian Bach, Lisa Larsson, Daniel Taylor, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 3 | 2B | 150 BPM | ||
The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" | Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 74 BPM | ||
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Leite mich in deiner Wahrheit" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM |
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