On 2004, the song "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876" was released by Daniel Barenboim. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876's duration is considered a little bit shorter than the average duration of a typical track. The song is number 61 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.7 in E flat major BWV876 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867 | Daniel Barenboim | B♭ Minor | 0 | 3A | 98 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Partita No. 5 in G Major, BWV 829: VI. Passe-pied | Glenn Gould | C Minor | 4 | 5A | 111 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
Partita No. 5 in G Major, BWV 829: II. Allemande | Glenn Gould | F Major | 0 | 7B | 114 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM |
Section: 0.6238691806793213
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