"Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.13 in F sharp major BWV882" by Daniel Barenboim was released on 2004. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 73 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.13 in F sharp major BWV882 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.13 in F sharp major BWV882 by Daniel Barenboim is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 5, Menuet in G Minor [Attrib. J.S. Bach's BWV Anh. 115] | Christian Petzold, Giovanni Mazzocchin | C Minor | 1 | 5A | 180 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.8 in D sharp minor BWV877 | Daniel Barenboim | D♭ Minor | 0 | 12A | 68 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : II. Allemande | Pablo Casals | G Major | 2 | 9B | 108 BPM | ||
Keyboard Sonatina In G Major, Op. 36, No. 2: III. Allegro | Muzio Clementi, Balazs Szokolay | G Major | 1 | 9B | 143 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: III. Allegretto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 96 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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