Robert Schumann, Daniel Barenboim's 'Faschingsschwank aus Wien, Op.26: 4. Intermezzo (Colla più grande energia)' came out on January 1, 1991. The duration of Faschingsschwank aus Wien, Op.26: 4. Intermezzo (Colla più grande energia) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Faschingsschwank aus Wien, Op.26: 4. Intermezzo (Colla più grande energia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Schumann: Kinderszenen op.15 / Faschingsschwank op.26 / Carnaval op.9". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Faschingsschwank aus Wien, Op.26: 4. Intermezzo (Colla più grande energia)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faschingsschwank aus Wien, Op.26: 4. Intermezzo (Colla più grande energia) by Robert Schumann, Daniel Barenboim having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes for Piano, Op. 740: No. 6 in A-Flat Major | Carl Czerny, Irina Smorodinova | A Major | 1 | 11B | 110 BPM | ||
Carnaval, Op.9: 5. Eusebius | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
In the Mists: IV. Presto - meno mosso | Leoš Janáček, Olena Kushpler | D♭ Minor | 1 | 12A | 130 BPM | ||
Lyric Pieces, Book 5, Op. 54: Notturno, Op. 54, No. 4 | Edvard Grieg, Balazs Szokolay | C Major | 1 | 8B | 131 BPM | ||
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM | ||
Impressions for Piano, No. 3 "The Sanctuary" | Josef Hofmann | E Major | 2 | 12B | 116 BPM | ||
Davidsbündlertänze, Op. 6: No. 7. Nicht schnell | Robert Schumann, Boris Giltburg | D♭ Major | 0 | 3B | 75 BPM | ||
Carnaval, Op. 9: No. 17. Intermezzo: Paganini | Robert Schumann, Boris Giltburg | F Minor | 2 | 4A | 112 BPM | ||
Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano) | Maurice Ravel, Stephen Hough | G Major | 0 | 9B | 71 BPM | ||
Murmuring Zephyrs. (Murmelndes Luftchen) Op. 21, No .4 - Duca 10 | Adolf Jensen, Peter Phillips, Willy Rehberg | F♯ Major | 0 | 2B | 76 BPM |
Section: 0.6223349571228027
End: 0.6257331371307373