Robert Schumann, Daniel Barenboim's 'Carnaval, Op.9: 5. Eusebius' came out on January 1, 1991. With Carnaval, Op.9: 5. Eusebius being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Schumann: Kinderszenen op.15 / Faschingsschwank op.26 / Carnaval op.9". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carnaval, Op.9: 5. Eusebius's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnaval, Op.9: 5. Eusebius by Robert Schumann, Daniel Barenboim having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Robert Schumann, Op. 20: Var. III | Clara Schumann, Benjamin Grosvenor | F Major | 1 | 7B | 138 BPM | ||
Grieg: 4 Norwegian Dances, Op. 35: No. 2 in A Major, Allegretto tranquillo e grazioso | Edvard Grieg, Alexandre Tharaud, Víkingur Ólafsson | A Major | 0 | 11B | 64 BPM | ||
Nachtgirlande für Theremin und Klavier | Wendelin Bitzan, Carolina Eyck | B Major | 0 | 1B | 92 BPM | ||
Danse Negre, Op. 58, No.5 - Duo-Art 5796 | Cyril Scott, Peter Phillips, Carolyne Cone Baldwin | A♭ Major | 1 | 4B | 67 BPM | ||
15 Preludes: No. 3. Allegretto con spirito | Nino Rota, Gabriele Baldocci | F Minor | 4 | 4A | 128 BPM | ||
Visions fugitives, Op. 22: II. Andante | Sergei Prokofiev, Steven Osborne | A Major | 0 | 11B | 73 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Minor | 1 | 4A | 116 BPM | ||
The Road to Casterbridge | Luke Faulkner, Özgür Kaya | A Minor | 0 | 8A | 115 BPM |
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