"Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano)" by Maurice Ravel, Stephen Hough was released on November 1, 2006. The duration of Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stephen Hough's Spanish Album". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièce en forme de habanera, M. 51 (Arr. Dumesnil for Solo Piano) by Maurice Ravel, Stephen Hough having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio, Op. 76, No. 2 in B Minor - Duo-Art 6596 | Johannes Brahms, Arthur Rubinstein, Peter Phillips | B Major | 0 | 1B | 128 BPM | ||
En Boheme, Op. 82: Bluette - Duo-Art 6178 | Constantin von Sternberg, Peter Phillips | E Major | 0 | 12B | 74 BPM | ||
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Mazurka, Op. 68: No. 2 in A Minor | Frédéric Chopin, Irene Cantos | E Minor | 0 | 9A | 107 BPM | ||
Sonatine bureaucratique | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Lang Lang | G Major | 0 | 9B | 98 BPM | ||
6 Characteristic Pieces, Op. 1, JB 1:35: No. 1 in C Major, In the Forest. Moderato | Bedřich Smetana, Jitka Čechová | G Major | 3 | 9B | 183 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
32 Variations in C Minor, WoO 80: Theme – Var. 1-3 | Ludwig van Beethoven, Angela Hewitt | D♭ Major | 1 | 3B | 91 BPM | ||
Kinderszenen, Op. 15: No. 13, Der Dichter spricht | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM |
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