"Fantasia in F Minor for Piano Duet, Op. 103, D. 940: II. Largo" by Franz Schubert, Julia Fischer, Martin Helmchen was released on August 1, 2009. The duration of Fantasia in F Minor for Piano Duet, Op. 103, D. 940: II. Largo is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Fantasia in F Minor for Piano Duet, Op. 103, D. 940: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schubert Complete Works for Violin and Piano". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Fantasia in F Minor for Piano Duet, Op. 103, D. 940: II. Largo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fantasia in F Minor for Piano Duet, Op. 103, D. 940: II. Largo by Franz Schubert, Julia Fischer, Martin Helmchen having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Partita No. 4 in D Major, BWV 828: III. Courante | Johann Sebastian Bach, Martin Helmchen | D♭ Major | 3 | 3B | 145 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Waltzes, Op. 39: Waltz Nr. 2 in F Major | Johannes Brahms, Karin Lechner | E Major | 0 | 12B | 72 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Keyboard Sonatina in F Major, Op. 36, No. 4: II. Andante con espressione | Muzio Clementi, Chun-Young June | B♭ Major | 0 | 6B | 94 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Violin Concerto No. 9 in G Major, Op. 8: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 127 BPM |
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