"Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!")" by Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss was released on April 3, 2012. The duration of Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!") is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Reuss's "Mendelssohn - Kreek: Psalms" album is number 7 out of 17. Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taaveti laul 104, "Kiida, mu hing, Issandat!" (Psalm 104, "Bless the Lord, my soul!") by Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | D Major | 1 | 10B | 83 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Vihmakõne, vellekõne | Mikk Üleoja, Estonian Philharmonic Chamber Choir | C Major | 1 | 8B | 89 BPM | ||
Berliner Messe: Gloria | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallin Chamber Orchestra | G Minor | 1 | 6A | 111 BPM |
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