"Vihmakõne, vellekõne" by Mikk Üleoja, Estonian Philharmonic Chamber Choir was released on August 28, 2007. The duration of Vihmakõne, vellekõne is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Vihmakõne, vellekõne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mikk Üleoja, Estonian Philharmonic Chamber Choir's "Mart Saar: Luule, See Ei Tule Tuulest" album is number 14 out of 21. Vihmakõne, vellekõne is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vihmakõne, vellekõne by Mikk Üleoja, Estonian Philharmonic Chamber Choir to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86, B. 153: III. Credo | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | B♭ Major | 1 | 6B | 79 BPM | ||
Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Responsorios: Animan mean (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | B♭ Major | 2 | 6B | 89 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Mati Bozija (O Mother of God. Prayer to Mother Maria) | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Nox vitae for Male-Voice Choir: III. October Myth | Galina Grigorjeva, Aleksandr Mihhailov, National Male Choir of Estonia, Mikk Üleoja | F Major | 1 | 7B | 170 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM | ||
Kristallen den fina | Swedish Folksong, Svanholm Singers, Sofia Soderberg Eberhard | E Minor | 0 | 9A | 68 BPM |
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