André Campra, Jaël Azzaretti, William Christie made "Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2)" available on 2003. With Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. In terms of popularity, Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 1, R,cit "Notus in Judea Deus" (Basse-taille 2) by André Campra, Jaël Azzaretti, William Christie is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow” | Henry Purcell, Elin Manahan Thomas, Armonico Consort, Christopher Monks | B Minor | 2 | 10A | 64 BPM | ||
Requiem: I. Introitus | André Campra, Stephan Van Dyck, Ivan Goossens, Conor Biggs, Laudantes Consort, Guy Janssens | A♭ Minor | 1 | 1A | 126 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 37, Gott lebet noch, BWV 461 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Missa Sancti Spiritus, ZWV 4: Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Deborah HWV 51, Act I: In the Battle | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
L'Europe Galante - Suite de Ballet: Air. La Discorde et Vénus "Quelle soudaine horreur" | André Campra, Gustav Leonhardt | D♭ Major | 1 | 3B | 70 BPM | ||
André Campra — Beati Omnes – Livre IV : Beati omnes qui timent Dominum | André Campra, Jean-Francois Lombard, Jean-François Novelli, Marc Labonnette, Les Folies Françoises, Patrick Cohën-Akenine | E♭ Minor | 1 | 2A | 109 BPM |
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