Henry Purcell, Elin Manahan Thomas, Armonico Consort, Christopher Monks made "Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow”" available on June 1, 2015. With Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow” being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow” is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dido & Aeneas, Z. 626, Act I Scene 1: Belinda & Chorus - “Shake the cloud from off your brow” by Henry Purcell, Elin Manahan Thomas, Armonico Consort, Christopher Monks having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Evening Hymn, Z.193 (arr. Silas Wolston) | Henry Purcell, Silas Wolston, Iestyn Davies | B♭ Minor | 0 | 3A | 108 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM |
Section: 0.6696181297302246
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