"Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski)" by Pyotr Ilyich Tchaikovsky, Matthias Bamert, BBC Philharmonic was released on March 1, 1995. Since Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #13. In terms of popularity, Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) by Pyotr Ilyich Tchaikovsky, Matthias Bamert, BBC Philharmonic having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 82 BPM | ||
Masques et bergamasques Suite, Op. 112: IV. Pastorale | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 66 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH 29: III. Waltz. Allegro moderato | Pyotr Ilyich Tchaikovsky, Antoni Wit, Polish National Radio Symphony Orchestra | A Major | 2 | 11B | 147 BPM |
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