"Incanto XIX, per flauto dolce, violino e archi" by Simone Movio, Patricia Kopatchinskaja, Il Giardino Armonico, Giovanni Antonini was released on September 4, 2020. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What's Next Vivaldi? by Patricia Kopatchinskaja, Il Giardino Armonico, Giovanni Antonini. The song's track number on the album is #13 out of 23 tracks. In terms of popularity, Incanto XIX, per flauto dolce, violino e archi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Incanto XIX, per flauto dolce, violino e archi by Simone Movio, Patricia Kopatchinskaja, Il Giardino Armonico, Giovanni Antonini has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Incanto XIX, per flauto dolce, violino e archi being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XI. Una te fa la 'nzemprece (Presto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Sam Furness | G Minor | 0 | 6A | 140 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Mythologies: I. Aurora | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | C Major | 1 | 8B | 62 BPM | ||
Three Rags: Poltergeist (arr. by Hamilton Berry) | William Bolcom, William Bolcom (arranged by Hamilton Berry), Decoda | C Major | 1 | 8B | 95 BPM | ||
Kina | Omer Avital | C Minor | 2 | 5A | 88 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM |
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