"Macbeth: La luce langue" by Sylvia Sass, Budapest Symphony Orchestra, Hungarian Radio and Television Chorus was released on March 1, 2014. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Magic of the Opera" album is number 21 out of 46. Macbeth: La luce langue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Macbeth: La luce langue by Sylvia Sass, Budapest Symphony Orchestra, Hungarian Radio and Television Chorus to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Demeure parmi nous, Nadir! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey | B♭ Minor | 1 | 3A | 92 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Die Zauberflöte, K. 620: Der Hölle Rache kocht | Linda Campanella | F Major | 2 | 7B | 126 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM |
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