"Symphony No. 4 in D Minor, Op. 120 (Version 1851): 交響曲第4番ニ短調作品120 第1楽章" by Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen was released on January 9, 2015. Symphony No. 4 in D Minor, Op. 120 (Version 1851): 交響曲第4番ニ短調作品120 第1楽章 appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Schumann: Symphony No. 4, Overture, Scherzo & Finale & Konzertstuck". In this album, this song's track order is #7. In terms of popularity, Symphony No. 4 in D Minor, Op. 120 (Version 1851): 交響曲第4番ニ短調作品120 第1楽章 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in D Minor, Op. 120 (Version 1851): 交響曲第4番ニ短調作品120 第1楽章 by Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) | Robert Schumann, Maria João Pires | D♭ Major | 2 | 3B | 109 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Spanische Liebeslieder, Op. 138: 3. O wie lieblich ist das Mädchen | Robert Schumann, Emanuel Geibel, Martin Mitterrutzner, Gerold Huber, James Cheung | B♭ Major | 1 | 6B | 112 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Yo-Yo Ma, Emanuel Ax, Isaac Stern, Jaime Laredo | B♭ Major | 0 | 6B | 134 BPM |
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