George Frideric Handel, Anne Queffélec's '8 Great Suites, Suite for Piano No. 7 in G Minor, HWV 432: VI. Passacaille' came out on 2006. With this song being about 5 minutes long, at 4:37, "8 Great Suites, Suite for Piano No. 7 in G Minor, HWV 432: VI. Passacaille" by George Frideric Handel, Anne Queffélec is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 23 in Anne Queffélec Plays Handel by George Frideric Handel, Anne Queffélec. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, 8 Great Suites, Suite for Piano No. 7 in G Minor, HWV 432: VI. Passacaille is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Great Suites, Suite for Piano No. 7 in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Anne Queffélec is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM | ||
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297 "L'inverno": II. Largo | Antonio Vivaldi, Europa Galante, Fabio Biondi | A Major | 1 | 11B | 128 BPM | ||
6 Moments musicaux, Op. 94, D.780: Allegro moderato | Franz Schubert, Valery Afanassiev | F Minor | 0 | 4A | 73 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324: IV. Allegro | George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall | F♯ Minor | 1 | 11A | 113 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM |
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