"Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?"" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 1 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 2: Scene 1: Marie's room. "Was die Steine glänzen?" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Lulu / Act 2: "Die Matinée wird, wie ich mir denke" | Alban Berg, Teresa Stratas, Kenneth Riegel, Helmut Pampuch, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez | D♭ Major | 3 | 3B | 95 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Shostakovich - Preludes, Op. 34 - No. 24, Allegretto | Leonid Kogan | D Minor | 1 | 7A | 169 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM |
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