Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider made "Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria IV: Allegro" available on January 1, 2003. With Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria IV: Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #6. Based on our statistics, Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria IV: Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria IV: Allegro by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: I. Prélude | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Major | 2 | 12B | 126 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: IV. Largo | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | B Minor | 0 | 10A | 88 BPM | ||
Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 125 BPM | ||
Bach, C.P.E.: Flute Sonata in G Major, Wq. 133, H. 564: I. Allegretto | Carl Philipp Emanuel Bach, Emmanuel Pahud | G Major | 1 | 9B | 136 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM |
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