"Scenes from the Poet's Dreams: No. 4, In the Blue Fields They Sing" by Jennifer Higdon, Gary Graffman, The Lark Quartet was released on February 12, 2013. Since Scenes from the Poet's Dreams: No. 4, In the Blue Fields They Sing is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in An Exaltation of Larks by Jennifer Higdon, The Lark Quartet. Scenes from the Poet's Dreams: No. 4, In the Blue Fields They Sing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scenes from the Poet's Dreams: No. 4, In the Blue Fields They Sing by Jennifer Higdon, Gary Graffman, The Lark Quartet is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony of Psalms: II. Expectans expectavi Dominum | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM | ||
Cold Mountain, Act II: Act II Scene 9: Howdy, strangers …Keep playin … (Teague, Stobrod, Pangle, Reid, Ruby, Ada) | Jennifer Higdon, Jay Hunter Morris, Roy Hage, Anthony Michaels-Moore, Kevin Burdette, Santa Fe Opera Orchestra, Miguel Harth-Bedoya | C Major | 1 | 8B | 148 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM | ||
String poetic: II. Nocturne | Jennifer Higdon, Jennifer Koh, Reiko Uchida | C Major | 1 | 8B | 91 BPM | ||
6 Bagatelles: No. 1, Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | C Major | 1 | 8B | 92 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM |
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