"Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio" by Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra was released on 2003. Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio appears to be safe for all ages as it is not explicit. The song is number 3 out of 8 in Berlioz: Symphonie Fantastique by Hector Berlioz, Sir Thomas Beecham. Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio by Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM |
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