"Benedictus" by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera was released on June 22, 2010. With Benedictus being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Et Jesum, Motets for solo voice by Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego. The song's track number on the album is #11 out of 23 tracks. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Benedictus by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Benedictus being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
O magnum mysterium | Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego | F♯ Minor | 0 | 11A | 180 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Hear my prayer, O Lord | Henry Purcell, The Choir Of Trinity College, Cambridge | D♭ Minor | 0 | 12A | 138 BPM | ||
Our Journey Had Advanced | Gabriel Jackson, St. Jacob's Chamber Choir, Gary Graden | D Major | 1 | 10B | 180 BPM | ||
Adoramus Te Christe (DuBois) | Theodore Dubois, Benedictines of Mary, Queen of Apostles | E Minor | 1 | 9A | 85 BPM | ||
A Litany: Drop, Drop Slow Tears | William Walton, Choir of St. John's College, Cambridge, Christopher Robinson | C Major | 0 | 8B | 128 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM |
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