"Oberon, J.306 / Act 1: "Dunkel ist es schon und spät"" by Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Rafael Kubelík was released on January 1, 2006. The duration of Oberon, J.306 / Act 1: "Dunkel ist es schon und spät" is about 3 minutes long, at 3:13. Based on our data, "Oberon, J.306 / Act 1: "Dunkel ist es schon und spät"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weber: Oberon by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik. The song's track number on the album is #14 out of 42 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Oberon, J.306 / Act 1: "Dunkel ist es schon und spät" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Oberon, J.306 / Act 1: "Dunkel ist es schon und spät" by Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Rafael Kubelík has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Oberon, J.306 / Act 1: "Dunkel ist es schon und spät" being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 4 in E Minor, Op. 70, J. 287: III. Andante quasi allegretto, consolante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 139 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
Section: 0.7782645225524902
End: 0.7821969985961914