Johann Sebastian Bach, Yo-Yo Ma made "Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: I. Prélude" available on August 17, 2018. The duration of Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: I. Prélude is about 3 minutes long, at 3:14. Based on our data, "Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: I. Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #13. In terms of popularity, Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: I. Prélude is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Unaccompanied Cello Suite No. 3 in C Major, BWV 1009: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 2 | 10A | 93 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM | ||
Romance for Cello and Piano (Delius) - Commentary | Yo-Yo Ma, Kathryn Stott | D♭ Major | 1 | 3B | 98 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: Allegro con brio | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | B Major | 1 | 1B | 90 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II | Johann Sebastian Bach, Yo-Yo Ma | G Major | 0 | 9B | 112 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | E♭ Minor | 2 | 2A | 77 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM |
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