"Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio" by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt was released on July 1, 2016. Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 10 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): II. Adagio by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Interludium für Cembalo, Pt. 1 - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | A♭ Major | 3 | 4B | 124 BPM | ||
Telemann / Arr. Veyron-Lacroix: Flute Sonata in A Major, TWV 41:A3: I. Adagio | Georg Philipp Telemann, Jean-Pierre Rampal, Robert Veyron-Lacroix | C Major | 3 | 8B | 198 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Andante in A Minor, HWV 412 | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Minor | 1 | 1A | 67 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Cello Sonata in B-Flat Major, Op. 14, No. 4, RV 45: II. Allegro (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | B♭ Major | 2 | 6B | 117 BPM | ||
Cello Concerto in G Minor, RV 416: I. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Sonata in D Major, Op. 1 No. 13, HWV 371: II. Allegro | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 1, Sinfonia | Georg Philipp Telemann, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 0 | 10A | 76 BPM |
Section: 0.5781538486480713
End: 0.5816588401794434