"Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude" by Anonymous , Johann Sebastian Bach, Daxun Zhang was released on March 5, 2013. The duration of Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Daxun Zhang: Bassic Bach by Anonymous, Johann Sebastian Bach, Daxun Zhang. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude by Anonymous , Johann Sebastian Bach, Daxun Zhang is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia 3 - D-Dur, BWV 789 | Julia Tabakova | F Major | 2 | 7B | 106 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Slåtter og Stev fra Siljustøl, Op. 24: IV. På kingelvevstrenger | Harald Sæverud, Annabel Guaita | D♭ Minor | 7 | 12A | 164 BPM | ||
Biruku G | safrial mudlofi, simbah rock | A Minor | 1 | 8A | 96 BPM | ||
Overture in G minor, BWV 822: Gavotte en Rondeau | Ivo Janssen | G Minor | 3 | 6A | 97 BPM | ||
Piano Album I: Carol-Pastiche | Ned Rorem, Carolyn Enger | E Minor | 0 | 9A | 0 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A Major | 1 | 11B | 140 BPM | ||
Jesu, nun sei gepreiset (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, Jan Kobow, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | B Major | 3 | 1B | 106 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 4 in E Minor, Allegro commodo | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 141 BPM |
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