"Chopin: 24 Preludes Op. 28: No. 9 in E Major" by Frédéric Chopin, Nikolai Lugansky was released on March 1, 2002. With Chopin: 24 Preludes Op. 28: No. 9 in E Major being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 29 in Chopin : Preludes, Ballades Nos 3 & 4, Nocturnes by Frédéric Chopin, Nikolai Lugansky. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Chopin: 24 Preludes Op. 28: No. 9 in E Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chopin: 24 Preludes Op. 28: No. 9 in E Major by Frédéric Chopin, Nikolai Lugansky is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Franz Liszt, Lazar Berman | E Major | 2 | 12B | 70 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Lyric Pieces, Op.71: I. Det var engang - Andante con moto - Allegro brioso | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 71 BPM | ||
10 Préludes, Op. 23: No. 8. Allegro vivace in A-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 1 | 3B | 67 BPM | ||
Dolly, Op.56: 5. Tendresse | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Major | 0 | 3B | 133 BPM | ||
Années de pèlerinage II, S. 161: V. Sonetto 104 del Petrarca | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 63 BPM |
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