"VI. 1558 Muerte de Carlos V: "Circumdederunt Me Gemitus Mortis" (Motete)" by Cristobal de Morales, Jordi Savall, Hespèrion XXI was released on January 1, 2000. The duration of VI. 1558 Muerte de Carlos V: "Circumdederunt Me Gemitus Mortis" (Motete) is about 3 minutes long, at 3:09. Based on our data, "VI. 1558 Muerte de Carlos V: "Circumdederunt Me Gemitus Mortis" (Motete)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. VI. 1558 Muerte de Carlos V: "Circumdederunt Me Gemitus Mortis" (Motete) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of VI. 1558 Muerte de Carlos V: "Circumdederunt Me Gemitus Mortis" (Motete) by Cristobal de Morales, Jordi Savall, Hespèrion XXI is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Missa Desilde al cavallero: IIc. Qui sedes ad dexteram Patris | Cristobal de Morales, De Profundis, Gregory Drott, Eamonn Dougan | F Major | 1 | 7B | 90 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Missa Pro Defunctis - Agnus Dei | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Eternal Source of Light Divine | George Frideric Handel, Fair Oriana | B Major | 1 | 1B | 87 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Magnificat primi toni: II. Quia respexit | Cristobal de Morales, De Profundis, Robert Hollingworth | F Major | 1 | 7B | 90 BPM |
Section: 0.7275466918945312
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