Anonymous, Domenico Scarlatti, Aladar Racz, Yvonne Racz Barblan's ' "Keyboard Sonata in C Minor, K.11/L.352/P.67 (arr. for cimbalom and piano)" was released on its scheduled release date, January 1, 2015. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Classic of the Cimbalom". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hungary. Keyboard Sonata in C Minor, K.11/L.352/P.67 (arr. for cimbalom and piano) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Keyboard Sonata in C Minor, K.11/L.352/P.67 (arr. for cimbalom and piano) by Anonymous, Domenico Scarlatti, Aladar Racz, Yvonne Racz Barblan having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum | Gregorian Chant, Julian Clarkson, Paul McCreesh, William Lyons, Gabrieli | D Major | 0 | 10B | 78 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
Do Not Cast Me off in the Time of Old Age | Men's Choir of the Valaam Singing Culture Institute | C Minor | 1 | 5A | 63 BPM | ||
Terirem du XIVème siècle | Yoan Kukuzel, Orthodox Ensemble | D Major | 1 | 10B | 81 BPM | ||
Introït "Dignus est Agnus" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Major | 1 | 2B | 126 BPM | ||
Te Joseph | Monks Of The Abbey Of Notre Dame | F♯ Minor | 1 | 11A | 122 BPM | ||
Exaltation of the Holy Cross: Irmos of the 5th Ode | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 138 BPM |