"Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum" by Gregorian Chant, Julian Clarkson, Paul McCreesh, William Lyons, Gabrieli was released on January 1, 1996. The duration of Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 27 in Cristóbal de Morales: Mass for the Feast of St. Isidore of Seville by Gabrieli, Paul McCreesh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum by Gregorian Chant, Julian Clarkson, Paul McCreesh, William Lyons, Gabrieli is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina Caeli | Lucien Deiss, CSSp | G Major | 0 | 9B | 170 BPM | ||
Tempo Della Glora E Della Vita. Canto Al Vangelo: Oportebat | Canonici Regolari Si Sant'Antimo | F Major | 1 | 7B | 131 BPM | ||
Répons graduel "Audi Filia" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F Minor | 1 | 4A | 82 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Office of Readings: V. Psalm 23 | The Benedictine Monks of Worth Abbey | E♭ Major | 0 | 5B | 79 BPM | ||
Clemens et benigna | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
Antiphon: Salve Regina | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Ubi Caritas | The Schola Cantorum of St. John XXIII Parish | F♯ Major | 0 | 2B | 133 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist, Jesus) – Jesum von Nazareth (Chorus) – Recitative: Jesus spricht ze ihnen (Evangelist, Jesus) – Jesum von Nazareth (Chorus) – Recitative: Jesus antwortete (Evangelist, Jesus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 102 BPM |
Section: 0.931884765625
End: 0.9358479976654053