Charles Koechlin, Ralph van Raat's 'Les heures persanes, Op. 65: No. 3. L'escalade obscure: Adagio (non troppo)' came out on April 5, 2011. With Les heures persanes, Op. 65: No. 3. L'escalade obscure: Adagio (non troppo) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Koechlin, Ralph van Raat's "Koechlin: Les heures persanes" album is number 3 out of 16. Les heures persanes, Op. 65: No. 3. L'escalade obscure: Adagio (non troppo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les heures persanes, Op. 65: No. 3. L'escalade obscure: Adagio (non troppo) by Charles Koechlin, Ralph van Raat to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
String Quintet in E Major, Op. 1: II. Andantino poco allegretto | Ethel Smyth, Joachim Griesheimer, Mannheim String Quartet | E Minor | 0 | 9A | 112 BPM | ||
Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Épitaphe de Jean Harlow | Charles Koechlin, Trio Vivo | F Minor | 1 | 4A | 71 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
A_Deux_parties._Note_contre_note._Majeurs | Charles Koechlin, Pablo Lecavalier-Ruiz | C Major | 2 | 8B | 67 BPM |
Section: 0.8906340599060059
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