Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews)
Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry
Verdi: Nabucco (Sung in English)
3:05 January 1, 2006
BPM
81
Key
D Major
Camelot
10B

Embed

Share Link

Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) - Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry Information

Acousticness
92%
Danceability
29%
Energy
51%
Instrumentalness
7%
Liveness
19%
Loudness
75%
Speechiness
10%
Valence
12%
Popularity
Loudness
-15.29 dB

Summary

"Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews)" by Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry was released on January 1, 2006. The duration of Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) is about 3 minutes long, at 3:05. Based on our data, "Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #15 out of 46 tracks. Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) BPM

Since Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) by Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Nabucco (Sung in English): Part I: In Jerusalem: Finale: Now my wrath, restrained no longer (Nabucco, Abigail, Anna, Fenena, Ismael, Zachariah, Hebrews) Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem: XIV. Agnus Dei by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony OrchestraRequiem: XIV. Agnus DeiGiuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony OrchestraC Major08B173 BPM
La traviata / Act 2: La traviata / Act 2: "Ah! Dite alla giovine"Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James LevineE♭ Major15B84 BPM
Die Walkure, Act III: Ride of the Valkyries by Richard Wagner, Budapest Symphony Orchestra, György LehelDie Walkure, Act III: Ride of the ValkyriesRichard Wagner, Budapest Symphony Orchestra, György LehelG Major29B90 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): II. AragonaiseGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Minor07A117 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
Turandot / Act 1: Turandot / Act 1: "Signore, ascolta"Giacomo Puccini, Montserrat Caballé, London Philharmonic Orchestra, Zubin MehtaF♯ Major02B74 BPM
Manon Lescaut / Act 1: Donna non vidi mai by Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineManon Lescaut / Act 1: Donna non vidi maiGiacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Major36B79 BPM
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza by Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele GambaLinda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenzaGaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele GambaE Minor29A81 BPM
Cavalleria rusticana: Preludio by Pietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniCavalleria rusticana: PreludioPietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniF Major27B88 BPM
Rossini: Il Barbiere di Siviglia: Overture by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriRossini: Il Barbiere di Siviglia: OvertureGioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriE Major212B88 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6786220073699951

End: 0.6849100589752197