Michio Mamiya, Yo-Yo Ma's 'No. 3 Miero vuotti uutta kuuta from Five Finnish Folk Songs - Edited Version' came out on 2002. With No. 3 Miero vuotti uutta kuuta from Five Finnish Folk Songs - Edited Version being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Silk Road Journeys - When Strangers Meet (Remastered)". In this album, this song's track order is #6. No. 3 Miero vuotti uutta kuuta from Five Finnish Folk Songs - Edited Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No. 3 Miero vuotti uutta kuuta from Five Finnish Folk Songs - Edited Version by Michio Mamiya, Yo-Yo Ma having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night at the Caravanserai | Traditional, Yo-Yo Ma, The Silk Road Ensemble | D Major | 3 | 10B | 111 BPM | ||
Piano Trio No. 2 in C Minor Op. 66: I. Allegro energico e con fuoco | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Unaccompanied Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande - Recorded at Spotify Studios NYC | Yo-Yo Ma | D Minor | 1 | 7A | 108 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
6 Pièces pour harpe à pédales: II. Scherzetto. Allegro moderato | Jacques Ibert, Lavinia Meijer | E Major | 1 | 12B | 60 BPM | ||
Deux Arabesques L. 66: No. 1 Andante con moto | Claude Debussy, Zoltán Kocsis | E Major | 0 | 12B | 70 BPM |
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