Lyell Cresswell, Red Note Ensemble made "Capricci: 5. Galop" available on April 20, 2018. With Capricci: 5. Galop being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lyell Cresswell, Red Note Ensemble, Robert Irvine, Jacqueline Shave's "Lyell Cresswell: Music for String Quartet" album is number 5 out of 23. Capricci: 5. Galop is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Capricci: 5. Galop by Lyell Cresswell, Red Note Ensemble to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Whira: III. Scorrevole | Lyell Cresswell, Daniel Bell | D♭ Major | 0 | 3B | 85 BPM | ||
Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Più mosso - Vivo - She Resists No Longer - They Embrace. | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 77 BPM | ||
The Shadow of Sirius: I. The Nomad Flute | Joel Puckett, Marianne Gedigian, University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 0 | 4B | 66 BPM | ||
The Voice Inside: IV. Slow Movement | Lyell Cresswell, Madeleine Pierard, Vesa-Matti Leppänen, New Zealand Symphony Orchestra, James Judd | D♭ Major | 1 | 3B | 86 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Ligeti : Double Concerto : I Calmo, con tenerezza | György Ligeti, Reinbert de Leeuw, ASKO Ensemble & Schonberg Ensemble | B Minor | 0 | 10A | 129 BPM | ||
Snatches, from Baptized Generations 11 | Lyell Cresswell | B Major | 0 | 1B | 76 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM |
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