"The Seasons, Op. 37a: No. 6, Barcarolle (June) - Duo-Art 7128" by Pyotr Ilyich Tchaikovsky, Peter Phillips, Nadia Reisenberg was released on September 28, 2023. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 13 in Barcarolle. Piano Evocations from the Golden Age (Extended Edition) by Peter Phillips, Alfred Grünfeld, Alexander Borodin, John Ireland, Frederick Delius, Charles-Valentin Alkan, César Franck, Manuel de Falla, Pyotr Ilyich Tchaikovsky, Cécile Chaminade, Joseph Haydn, Franz Liszt, Sergei Rachmaninoff, Harriet arr Cady, Vassily Sapellnikoff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Seasons, Op. 37a: No. 6, Barcarolle (June) - Duo-Art 7128 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Seasons, Op. 37a: No. 6, Barcarolle (June) - Duo-Art 7128 by Pyotr Ilyich Tchaikovsky, Peter Phillips, Nadia Reisenberg is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | C Major | 0 | 8B | 131 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 4, Les cloches | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
12 Petite Pieces Pour Le Clavecin: No. 12 Allegretto | Wolfgang Amadeus Mozart, Irene Cantos | G Minor | 1 | 6A | 142 BPM | ||
Don Giovanni: Overture (Arr. Solo Piano by Liszt) - Welte-Mignon_3143 | Wolfgang Amadeus Mozart, Franz Ritter, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
La Belle et la Bête - Arr. for Piano duet: I. Ouverture | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 56 BPM | ||
Impromptu, Op. 142, No. 2, in A-Flat Major - Duo-Art 6794 | Franz Schubert, Ignacy Jan Paderewski, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 1 in G Minor | Jean Sibelius, Håvard Gimse | D Minor | 0 | 7A | 133 BPM | ||
12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio | Wolfgang Amadeus Mozart, Irene Cantos | D♭ Major | 1 | 3B | 106 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491 | Franz Liszt, Peter Phillips, Ernst von Dohnányi | D♭ Major | 1 | 3B | 59 BPM |
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