Wolfgang Amadeus Mozart, Irene Cantos's '12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio' came out on April 23, 2024. The duration of 12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. 12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Traum. Piano Works by Mozart, Satie & Grieg". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, 12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With 12 Petite Pieces Pour Le Clavecin: No. 11 Menuetto-Trio by Wolfgang Amadeus Mozart, Irene Cantos having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 16, Douce plainte | Franz Burgmüller, Carl Petersson | G Minor | 2 | 6A | 143 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 96 (Excerpts Arr. P. Breiner for Piano): IIIa. Allegro giocoso, ma non troppo | Antonín Dvořák, Peter Breiner | F♯ Minor | 1 | 11A | 80 BPM | ||
10 Pieces for Piano No. 1, Op. 12: March | Sergei Prokofiev, Juan Francisco Otón | C Major | 2 | 8B | 91 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: XIX. Ave Maria | Franz Burgmüller, Benedikt David | A Major | 0 | 11B | 107 BPM | ||
Fünf Stücke pour piano à quatre mains: III. Három Lakodalmi tánc: No. 2, Hopp ide tisztán | György Ligeti, Dimitri Vassilakis, Sébastien Vichard | B Minor | 0 | 10A | 134 BPM | ||
Lacrimosa (Arr. Piano) | Music Lab Collective | D Minor | 0 | 7A | 96 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 6, Two Funny Aunties Argued | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Der Stein der Weisen, Act I: Introduction. Ihr Mädchen! Ihr Jünglinge! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Chris Pedro Trakas, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | F Major | 1 | 7B | 95 BPM | ||
Morceaux Caractéristiques, Op. 36: No. 24, Aux Champs - From Aeolian Roll | Anton Arensky, Manuel Ruiz Del Corral | B Minor | 0 | 10A | 77 BPM | ||
14 Bagatelles Sz. 38: No. 4 Grave | Béla Bartók, Irene Cantos | E♭ Major | 1 | 5B | 80 BPM |
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