"14 Bagatelles Sz. 38: No. 4 Grave" by Béla Bartók, Irene Cantos was released on March 19, 2024. With 14 Bagatelles Sz. 38: No. 4 Grave being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Tuileries. Piano Works by Bach, Bartok & Mussorsgky". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. 14 Bagatelles Sz. 38: No. 4 Grave is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 14 Bagatelles Sz. 38: No. 4 Grave by Béla Bartók, Irene Cantos having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notebook for Anna Magdalena: 23. Marche in E-Flat Major, BWV Ahn. 127 | Johann Sebastian Bach, Irene Cantos | E♭ Major | 1 | 5B | 86 BPM | ||
Suite, BB 70, Sz. 62 (Op.14): 3. Allegro molto | Béla Bartók, Zoltán Kocsis | B♭ Major | 2 | 6B | 142 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, Juan Francisco Otón | C Major | 2 | 8B | 91 BPM | ||
3 Rondos on Slovak Folktunes, BB 92: No. 1. Andante | Béla Bartók, Karim Said | C Major | 1 | 8B | 83 BPM | ||
12 Études, CD 143: No. 7, Pour les degrés chromatiques | Claude Debussy, Steven Osborne | G Minor | 0 | 6A | 70 BPM | ||
Kinderszenen, Op. 15: V. Glückes genug | Robert Schumann, Angela Hewitt | D Major | 1 | 10B | 85 BPM | ||
Andantino in C Major, D. 348 (Completed by G. Bruno) | Franz Schubert, Giuseppe Bruno | C Major | 0 | 8B | 171 BPM | ||
12 Études, Op. 25: No. 4 in A Minor "Paganini" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Fleurs de France: No. 3, Rose d'Anjou | Germaine Tailleferre, Nicolas Horvath | B Major | 2 | 1B | 108 BPM |
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