"Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491" by Franz Liszt, Peter Phillips, Ernst von Dohnányi was released on March 20, 2024. The duration of Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 23 in Andante. Bach, Liszt & Debussy Piano Works by Alexander Siloti, Johann Sebastian Bach, Franz Liszt, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Consolations S. 172: Consolation No.3 in D-Flat Major - Welte-Mignon 491 by Franz Liszt, Peter Phillips, Ernst von Dohnányi is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C major, Op. 10: II. Romanza | Ernst von Dohnányi, Trio Boccherini | G Major | 2 | 9B | 77 BPM | ||
Concerto for Piano and Wind Instruments: Allegro from Mov. I (Arr. Solo Piano by Stravinsky) - Duo-Art 528-4 | Igor Stravinsky, Peter Phillips | A Minor | 5 | 8A | 112 BPM | ||
The Gadfly, Op. 97: Prelude (Arr. Atovmyan for Cello, Saxophone & Piano) | Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett | A Major | 1 | 11B | 85 BPM | ||
Nocturne in D-Flat Major, Op. 27, No. 2 - Welte-Mignon 1194 | Frédéric Chopin, Peter Phillips, Theodor Leschetizky | D♭ Major | 0 | 3B | 87 BPM | ||
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Lyric Pieces Book X, Op. 71: III. Puck | Edvard Grieg, Alice Sara Ott | A♭ Major | 2 | 4B | 98 BPM | ||
Das Rheingold (Arr. Solo Piano by Greef): Entrance into Valhalla - Welte-Mignon 1181 | Richard Wagner, Peter Phillips, Arthur De Greef | B Major | 1 | 1B | 68 BPM | ||
Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Litany for the Feast of All Souls, D. 343 (Arr. Solo Piano by Cortot) - Duo-Art 6126 | Franz Schubert, Alfred Cortot, Peter Phillips | E♭ Major | 0 | 5B | 71 BPM | ||
Libestraume - No.3 | Pianozone, Franz Liszt | A♭ Major | 2 | 4B | 135 BPM |
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