"Sonata, Op. 7: IV. Finale. Allegro vivace" by Ethel Smyth, Tasmin Little, John Lenehan was released on February 1, 2019. With this song being about 5 minutes long, at 5:24, "Sonata, Op. 7: IV. Finale. Allegro vivace" by Ethel Smyth, Tasmin Little, John Lenehan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sonata, Op. 7: IV. Finale. Allegro vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata, Op. 7: IV. Finale. Allegro vivace by Ethel Smyth, Tasmin Little, John Lenehan having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Trio: II. Scherzo - Vivo | Jean Françaix, Lendvai String Trio | G Major | 1 | 9B | 120 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
String Quintet in E Major, Op. 1: V. Allegro molto | Ethel Smyth, Joachim Griesheimer, Mannheim String Quartet | E Major | 0 | 12B | 135 BPM | ||
I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso) | Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra | E♭ Major | 0 | 5B | 102 BPM | ||
Piano Concerto No. 1 in D Minor: III. Allegro con brio | Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Major | 2 | 7B | 105 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM |
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