"American Song Suite: III. Speak Low (Version for Violin and Chamber Orchestra)" by Kurt Weill, Daniel Hope, Joscho Stephan, Alexander Ponet, Zürcher Kammerorchester was released on February 4, 2022. The duration of American Song Suite: III. Speak Low (Version for Violin and Chamber Orchestra) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. American Song Suite: III. Speak Low (Version for Violin and Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 23 in America by Daniel Hope, Zürcher Kammerorchester, Aaron Copland, George Gershwin, Kurt Weill, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of American Song Suite: III. Speak Low (Version for Violin and Chamber Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of American Song Suite: III. Speak Low (Version for Violin and Chamber Orchestra) by Kurt Weill, Daniel Hope, Joscho Stephan, Alexander Ponet, Zürcher Kammerorchester is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahagonny Songspiel / Part 2 - Life in Mahagonny: 5. God In Mahagonny: Lento | Kurt Weill, Mary Thomas, Meriel Dickinson, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton | F Major | 3 | 7B | 125 BPM | ||
Tambourin in C Major | Jean-Marie Leclair, Patricia Kopatchinskaja, Sol Gabetta | C Minor | 2 | 5A | 144 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM |
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