Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel made "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro" available on January 1, 1989. The duration of Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro is about 3 minutes long, at 3:16. Based on our data, "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #8. Based on our statistics, Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 4. Allegro by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Trio Sonata in G Minor, TWV 42:g5: II. Allegro | Georg Philipp Telemann, Ensemble Fitzwilliam, Bruno Cocset, Michèle Dévérité, Paul Dombrecht, Enrico Gatti | F♯ Minor | 4 | 11A | 117 BPM |
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