"Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida)" by Giuseppe Verdi, Franco Corelli, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) appears to be safe for all ages as it is not explicit. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #7 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) by Giuseppe Verdi, Franco Corelli, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: Aïda, Act 3: Finale "Pur ti riveggo, mia dolce Aida … Nel fiero anelito … Là, tra foreste vergini" (Radames, Aida) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | B Minor | 2 | 10A | 90 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
"Libiamo, libiamo ne' lieti calici" from La Traviata | Giuseppe Verdi, José Carreras, Agnes Baltsa, Plácido Domingo, London Symphony Orchestra | F Major | 1 | 7B | 82 BPM |
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