"Messa di Requiem: Dies irae: Oro supplex" by Giovanni Pacini, Alessandra Rossi, Adriana Cicogna, Marcello Giordani, Antonio Juvarra, Cappella Santa Cecilia della Cattedrale di Lucca, Massimo Morelli, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi had its release date on August 1, 2013. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Pacini: Messa di Requiem, Confitebor & Sinfonia Dante". In this album, this song's track order is #9. Based on our statistics, Messa di Requiem: Dies irae: Oro supplex's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Requiem: Dies irae: Oro supplex by Giovanni Pacini, Alessandra Rossi, Adriana Cicogna, Marcello Giordani, Antonio Juvarra, Cappella Santa Cecilia della Cattedrale di Lucca, Massimo Morelli, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Simon Boccanegra / Act 1: "Come in quest'ora bruna" (Amelia) | Giuseppe Verdi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Major | 1 | 6B | 94 BPM | ||
Don Giovanni Tenorio, o Il convitato di pietra: Act II Scene 2: Quintetto: Senza il caro sposo amato (Zerlina, Ficcanaso, Duca Ottavio, Donna Anna, Masetto) | Giovanni Pacini, Leonardo Cortellazzi, Geraldine Chauvet, Zinovia-Maria Zafeiriadou, Ugo Guagliardo, Giorgio Trucco, Giulio Mastrototaro, Transylvania State Philharmonic Choir, Southwest German Chamber Orchestra, Daniele Ferrari | B♭ Minor | 3 | 3A | 76 BPM | ||
Saffo: Act II: Scena I - Al crin le cingete la rosea corona | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | G Major | 0 | 9B | 127 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
Don Pasquale, Act III Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM |